نسخه فارسی
نسخه فارسی

Khorasani formality-- part four

Khorasani formality-- part four

Attar

Farid ud-Din Attar was born in Nishapur, sometime between 1120 and 1220 in north-east Iran. There is disagreement over the exact dates of his birth and death but several sources confirm that he lived about 100 years. He is traditionally said to have been killed by Mongol invaders. His tomb can be seen today in Nishapur.

As a younger man, Attar went on pilgrimage to Mecca and traveled extensively throughout the region, seeking wisdom in Egypt, Damascus, India, and other areas, before finally returning to his home city of Nishapur.

The name Attar means herbalist or druggist, which was his profession. It is said that he saw as many as 500 patients a day in his shop, prescribing herbal remedies which he prepared himself, and he wrote his poetry while attending to his patients.

About thirty works by Attar survive, but his masterpiece is the mantic at-Tayr (The Conference of the Birds). In this collection, he describes a group of birds (individual human souls) under the leadership of a hoopoe (spiritual master) who determine to search for the legendary Simurgh bird (God). The birds must confront their own individual limitations and fears while journeying through seven valleys before they ultimately find the Simurgh and complete their quest. The 30 birds who ultimately complete the quest discover that they themselves are the Simurgh they sought, playing on a pun in Persian (si and murgh can translate as 30 birds) while giving us an esoteric teaching on the presence of the Divine within us.

Attar's poetry inspired Rumi and many other Sufi poets. It is said that Rumi actually met Attar when Attar was an old man and Rumi was a boy, though some scholars dispute this possibility.

Farid ud-Din Attar was apparently tried at one point for heresy and exiled from Nishapur, but he eventually returned to his home city and that is where he died.

A traditional story is told about Attar's death. He was taken prisoner by a Mongol during the invasion of Nishapur. Someone soon came and tried to ransom Attar with a thousand pieces of silver. Attar advised the Mongol not to sell him for that price. The Mongol, thinking to gain an even greater sum of money, refused the silver. Later, another person came, this time offering only a sack of straw to free Attar. Attar then told the Mongol to sell him for that was all he was worth; Outraged at being made a fool, the Mongol cut off Attar's head.

Whether or not this is literally true isn't the point. This story is used to teach the mystical insight that the personal self isn't of much real worth. What is valuable is the Beloved's presence within us -- and that presence isn't threatened by the death of the body.

Attar:

Thou heart if you are in love, search for the beloved

Await his return at your heart’s doorstep all day and night

Drinking wine, worshipping the stone, saying blasphemes, using drugs, forsaking the Holy book; oh, how is divine’s destiny?

Once the young, Christian girl showed her face

Every bits and pieces of the old holly man caught fire

Even though he turned his look away

The love of the girl did its thing on him

He gave away his faith in Islam and became Christian

He forsake his reputation and respect, became her slave

 

Have they understood my real point? Divine destiny, learning from the darkness to overcome the darkness

Disbelief left and gave its place to faith

Stone worshippers became the Lord’s faithful

 

Angle: Mowlana Jallaledin Mohammad Balkhi known as Rumi, from the thirteenth century.

Rumi walks onto the stage.

Rumi

Jalalud'din Rumi is one of the world’s most revered mystical poets.  During his lifetime he produced a prolific range of inspiring and devotional poetry which encapsulates the sufi's experience of UNION with the divine.  These timeless classics have enjoyed a renaissance in recent years, as Rumi has become one of our most popular poets. Although Rumi was a Sufi and a great scholar of the Qu’ran his appeal reaches across religious and social divisions. Even during his lifetime he was noted for his cosmopolitan outlook.  His funeral, which lasted 40 days, was attended by Muslims, Jews, Persians, Christians and Greeks.

Rumi was born in 1207, in what is now know as Afghanistan. It was a period of remarkable social and political turbulence. The 13th Century was the era of the crusades;  also the area where Rumi lived was under constant threat of Mongol invasion. The great upheavals Rumi faced during his life is said to have influenced much of his poetry. 

Rumi met many of the great Sufi poets. For example, as a young boy he met the Sufi Master, Attar.  Attar is said to have commented about Rumi.

"There goes a river dragging an ocean behind it."

However the most important turning point in Rumi’s life was when he met the wandering dervish Sham al- Din. Sham was eccentric and unorthodox, but was filled with heart - felt DEVOTION THAT sometimes he couldn’t contain. Sham appeared to be quite different to the respectable and prestigious scholar, (as Rumi was at that point.)  However Rumi saw in Sham a divine presence. This meeting and their close mystical relationship was instrumental in awakening Rumi’s latent spirituality and intense devotion. It was at this point Rumi abandoned his academic career and began to write his mystical poetry. 

Rumi’s poetry is wide ranging and encompasses many different ideas but behind all the poetry the essential theme was the longing and searching for the union with the divine. Rumi was himself a great mystic. His outpourings of poetry were a reflection of his own inner consciousness. Ironically Rumi said that no words could adequately explain the experience of mystical union. Yet his words are inspiring signposts which point towards the divine.  

In his poetry Rumi frequently uses imagery which may be unexpected. For example although Islam forbids alcohol, he often describes the sensation of being “drunk AND intoxicated with ecstasy for his beloved." Here drunk implies the bliss of the divine consciousness. Love is a frequent subject of Rumi's poems, descriptions of seeming romantic love is an illusion to the all encompassing pure, divine love;  Metaphors such as this are common to other Sufi poets such as Omar Khayyam, Hafiz, and Attar.

 

While the pen was writing hurriedly

It broke itself on the word love

What love, what love we have, oh Lord

How beautiful, lovely and ecstatic is this love, oh Lord

We are so warm, so very warm with this sun of love

It is so hidden and yet so visible, oh Lord

 

Certain parts from my poetry collections that could light up the dark path and clear up illusions, delusions and doubts; this light could not be understood by the physical senses which are made for the animal kingdom. They have been designed in a way so that they could not venture out beyond the limitations of physicality.

Thus, other senses are needed to experience the beyond time, place and physics; it is the gateway to the other world.

Angle: Shams is entering.

Your Comments





0 Comments

No comments have been posted yet.